VALIS is a 1981 science fiction novel by Philip K. Dick. The title is an acronym for Vast Active Living Intelligence System, Dick's gnostic vision of one aspect of God.
VALIS is the first book in the VALIS trilogy of novels including The Divine Invasion (1981), and the unfinished The Owl in Daylight. The Transmigration of Timothy Archer (1982) is thematically related to the unfinished trilogy and was included in several omnibus editions of the trilogy as a stand-in for the unwritten final volume. Together with his thematically related final novel, VALIS represents Dick's last major work before he died. Radio Free Albemuth is considered an earlier version of VALIS, and is not included as a component of the VALIS trilogy.
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VALIS has been described as one node of an artificial satellite network originating from the star Sirius in the Canis Major constellation. According to Dick, the Earth satellite used "pink laser beams" to transfer information and project holograms on Earth and to facilitate communication between an extraterrestrial species and humanity. Dick claimed that VALIS used "disinhibiting stimuli" to communicate, using symbols to trigger recollection of intrinsic knowledge through the loss of amnesia, achieving gnosis. Drawing directly from Platonism and Gnosticism, Dick wrote in his Exegesis: "We appear to be memory coils (DNA carriers capable of experience) in a computer-like thinking system which, although we have correctly recorded and stored thousands of years of experiential information, and each of us possesses somewhat different deposits from all the other life forms, there is a malfunction - a failure - of memory retrieval."
At one point, Dick claimed to be in a state of enthousiasmos with VALIS, where he was informed his infant son was in danger of perishing from an unnamed malady. Routine checkups on the child had shown no trouble or illness; however, Dick insisted that thorough tests be run to ensure his son's health. The doctor eventually complied, despite the fact that there were no apparent symptoms. During the examination doctors discovered an inguinal hernia, which would have killed the child if an operation was not quickly performed. His son survived thanks to the operation, which Dick attributed to the "intervention" of VALIS.
Another event was an episode of xenoglossia. Supposedly, Dick's wife transcribed the sounds she heard him speak, and discovered that he was speaking Koine Greek-the common Greek dialect during the Hellenistic years (3rd century BC-4th century AD) and direct "father" of today's modern Greek language- which he had never studied. As Dick was to later discover, Koine Greek was originally used to write the New Testament and the Septuagint. However, this was not the first time Dick had experienced xenoglossia. A decade earlier, Dick claimed he was able to think, speak, and read fluent Latin under the influence of Sandoz LSD-25.
The UK edition of VALIS also included Cosmology and Cosmogony, a chapbook containing selections from Dick's Exegesis.
[edit] Rhipidon Society
Dick's friends (and fellow science fiction writers) K.W. Jeter (Kevin) and Tim Powers (David) appear as thinly disguised characters in the novel, and along with Dick, as members of the "Rhipidon Society", with the motto, "Fish Cannot Carry Guns!" It is also said that James P. Blaylock appears in the book.
[edit] Main characters
Phil Bob: narrator, science fiction writer
Horselover Fat: narrator
Gloria Knudson: suicidal friend of Fat's
Kevin: friend of Fat's, skeptic
Sherri Solvig: Fat's friend, dying from lymphatic cancer
David: Catholic friend of Fat's
Zebra: pure energy, discorporate, the Logos, living information, the "plasmate", "God"; communicates with Fat
VALIS: title of an American science fiction film, appears as a satellite, controls reality, synonymous with Zebra (see The Man Who Fell to Earth). Essentially a story within a story. It also forms the plotline of Radio Free Albemuth, Dick's rejected (but posthumously published) original version of Valis.
Eric Lampton: rock star, screenwriter, actor, aka "Mother Goose", David Bowie
Linda Lampton: actress
Sophia: the child-messiah, incarnation of VALIS
Brent Mini: electronic composer (based upon electronic/ambient musician Brian Eno)
[edit] Philosophical and cultural references
Theology and philosophy, especially metaphysical philosophy, play an important role in VALIS, presenting not just Dick's (and/or Horselover Fat's) own views on these subjects but also his interpretation of numerous religions and philosophies of the past. The most prominent religious references are to Valentinian Gnosticism, the Rose Cross Brotherhood, Zoroastrianism and Buddhism, as well as Biblical writings including the Book of Daniel and the New Testament epistles. Many ancient Greek philosophers are discussed, including several Pre-Socratics (Pythagoras, Xenophanes, Heraclitus, Empedocles and Parmenides) as well as Plato and Aristotle. More recent thinkers that are mentioned include the philosophers Pascal and Schopenhauer, the Christian mystic Jakob Böhme, the alchemist Paracelsus, the psychologist Carl Jung, and the author and psychologist Robert Anton Wilson. In Wilson's autobiography Cosmic Trigger (released nearly a decade before VALIS), Wilson describes similar musings concerning the 'Sirius Connection', contemplating the idea that alien entities are sending out waves of information that we can tune in on.
The action of VALIS is set firmly in the American popular culture of its time, with references to the Grateful Dead, Frank Zappa and Linda Ronstadt as well as the fictional rock musicians Eric Lampton and Brent Mini. However, the novel also contains a number of high culture references such as the poets Vaughan, Wordsworth and Goethe, and the classical composers Handel and Wagner. In particular, the novel contains several extended discussions about Wagner's metaphysical opera Parsifal.
[edit] Black Iron Prison
The Black Iron Prison is a concept of an all-pervasive system of social control postulated in the Tractates Cryptica Scriptura, a summary of an unpublished Gnostic exegesis included in VALIS.
“ Once, in a cheap science fiction novel, Fat had come across a perfect description of the Black Iron Prison, but set in the far future. So if you superimposed the past (ancient Rome) over the present (California in the twentieth century) and superimposed the far future world of The Android Cried Me a River over that, you got the Empire, as the supra- or trans-temporal constant. Everyone who had ever lived was literally surrounded by the iron walls of the prison; they were all inside it and none of them knew it.”